nyartstudies

"Emotion resulting from a work of art is only of value when it is not obtained by sentimental..."

Mon, 29 Apr 2013 13:02:17 -0400

““Emotion resulting from a work of art is only of value when it is not obtained by sentimental...

artistandstudio: Warhol taking Duchamp’s picture (photo by Nat...

Sat, 27 Apr 2013 10:07:23 -0400

artistandstudio:

Warhol taking Duchamp’s picture (photo by Nat Finkelstien)

momaps1: From Math Teacher to Adult Film Extra, The...

Mon, 15 Apr 2013 21:46:27 -0400

momaps1:

From Math Teacher to Adult Film Extra, The Unexpected Early Jobs of 30 Art Stars

by BLOUIN ARTINFO

Published: April 8, 2013

Everyone started out somewhere — including your favorite art stars. Some of the biggest names in the visual arts came from surprisingly humble beginnings, and we’ve picked out 30 of the most telling examples of artists who had less-than-glamorous jobs while pursuing their craft. Sometimes, this exercise actually yields serious insight into the styles they became known for, sometimes not. In every case, though, it gives a window into the life behind the work.

WHO: Mark Rothko

WHAT: delivery boy, newspaper seller

The future AbEx master’s father died just months after moving his family from Russia to Portland, forcing the 10-year-old Rothko to deliver groceries and sell newspapers to help support his family. Years later, after moving to New York, he held an assortment of odd jobs before becoming a teacher — an experience that would stay with him throughout his career and shape his artistic practice.

WHO: Willem de Kooning
WHAT: display designer

Before emigrating to the U.S. from Holland, de Kooning worked his way through art school at the Rotterdam Academy with an apprenticeship in commercial art. Once in New York, his commercial design experience came in handy while he worked on designing department store displays during the 1930s. Only after completing a mural for the 1939 World’s Fair did he abandon commercial work all together to pursue his own artwork.

WHO: Yves Klein
WHAT: judo author, master

Not only was Yves Klein a dedicated Judoka, he wrote a book on the topic, “Les Fondements du Judo,” while studying at the most prestigious Judo center in Tokyo. After returning to Paris, Klein opened his own judo school, hanging monochromes on the walls and eventually reaching the highest level possible for a Judoka in Europe.

WHO: Claes Oldenburg
WHAT: failed reporter

After graduating with a bachelor’s degree from Yale in 1950, the Stockholm-born Pop sculptor began working as an apprentice reporter at the City News Bureau of Chicago. Nothing he wrote was ever printed. “I was assigned to cover stories that were considered unimportant but which I found fascinating,” Oldenburg told the L.A. Times in 1995. “I once covered the death of a man who’d spent his life collecting nuts and bolts — every drawer and receptacle in his apartment was full of nuts and bolts.”

WHO: Ed Ruscha
WHAT: advertising creative, secret Artforum designer

In 1960, fresh out of the Chouinard Art Institute (now CalArts), Ruscha began working as a full-time layout artist for the Los Angeles-based Carson-Roberts Advertising Agency, though after taking a hiatus to travel around Europe and visit New York, he quit the following year to devote himself to painting. Supporting himself with his art proved difficult, though, and Ruscha paid the bills by doing layout work for Artforum under the sly pseudonym “Eddie Russia” from October 1965 — a year after the magazine published the first major review of his work — until the summer of 1969.

WHO: Ed Keinholz
WHAT: jack of many, many trades

Keinholz, the self-taught installation artist known for his gritty psychosexual assemblages of exurban detritus, had a colorful resume before he became entrenched in Los Angeles’s budding avant-garde scene in the 1950s (he went on to co-found the Ferus Gallery with Walter Hobbs and Bob Alexander). His job titles included orderly in a psychiatric hospital, manager of a dance band, used car salesman, caterer, decorator, and vacuum cleaner salesman.

WHO: James Turrell
WHAT: heroic pilot, struggling rancher

When he was just 16 years old, light and space artist James Turrell got his pilot’s license. A Quaker and conscientious objector to the Vietnam War, Turrell also flew Tibetan monks out of Tibet after the Chinese invasion. Once back in the States, he spent months flying around the southwestern desert before deciding on Roden Crater in Arizona’s Painted Desert as the site for his monumental land art piece and observatory. In order to purchase and maintain the land surrounding the crater, Turrell also had to take up cattle ranching. “I don’t know if it’s harder to make a living as an artist or a rancher,” Turrell said to the Smithsonian in 2003.

WHO: Wayne Thiebaud
WHAT: Disney animation drone, hot dog vendor

Perhaps it will not come as a surprise to learn that Wayne Thiebaud, painter of dreamy cakes, got his start drawing “in between” frames for Disney’s Pinocchio or that he put in his time working in food service. Even his later works maintained a cartoon-like element, while his early subject matter was clearly inspired by the ice cream and hot dogs he served at the Long Beach cafe, Mile High.

WHO: Dan Flavin
WHAT: Guggenheim mailroom clerk, MoMA elevator man

Before his fluorescent light works made it into the collections of establishments like MoMA and the Guggenheim, Dan Flavin paid his dues working on the less glamorous side of these museums. Flavin was a mailroom clerk at the Gugg, a guard at the American Museum of Natural History, and a guard and elevator operator at MoMA throughout the late ’50s and early ’60s.

WHO: Sol LeWitt
WHAT: graphic designer for Seventeen, MoMA receptionist

The Connecticut-born artist joined the army at age 21 and served in Korea and Japan during the Korean War. When he returned home in 1953, he moved to New York, where he worked as an illustrator for teen mag Seventeen. Two years later, he did a stint as a graphic designer for the architect I.M. Pei and later served as a night receptionist at the Museum of Modern Art. (While there, he met critic Lucy Lippard and artists Dan Flavin, Robert Mangold, and Robert Ryman.)

WHO: Philip Glass & Steve Reich
WHAT: movers

Before they were known as two of the most prominent minimalist composers, Philip Glass and Steve Reich eked out a living for themselves by starting a furniture transportation service called Chelsea Light Moving. “We always ended up with smelly couches on the Lower East Side,” Reich said years later. Glass would later become a plumber, assisted by a young Kathryn Bigelow.

WHO: Carolee Schneemann
WHAT: walk-on actor in pornos, dog dryer, Sunday school teacher

Though she would go on to become canonized for her provocative body of work dealing with gender and sexuality, Carolee Scheemann worked a variety of odd part-time jobs to make ends meet. “I was an artist model, a dog dryer in a pet shop, I was in porno films on Saturdays for fifty dollars — but you only had to stand there in a black dress — and then I taught Sunday school on Sunday.” If you’re curious about her adult film career, she clarified to Bad at Sports: “The sexiest thing I was ever told to do was suck a guy’s toe, and he had covered it so heavily in aftershave.”

WHO: Judy Chicago
WHAT: corresponding secretary for the NAACP

The feminist artist became active in campus politics while attending UCLA in the late 1950s, designing posters for the university’s NAACP chapter. Eventually, she became the local chapter’s corresponding secretary. The FBI, which had investigated Chicago’s father for Communist sympathies, took notice: It began a file on her around this time.

WHO: Barbara Kruger
WHAT: designer for Mademoiselle

Famously, after Kruger finished studying design with Diane Arbus at Parson’s School of Design, she embarked on a career in publishing. She honed her skills as a designer for Conde Nast’s Mademoiselle, eventually moving up as a graphic designer, art director, and picture editor at House and Garden and Aperture.

WHO: Raymond Pettibon

WHAT: high school math teacher

Though you’d never know it from his typo and expletive-riddled Twitter feed, Raymond Pettibon started out as a high school teacher. The California artist taught mathematics in the Los Angeles public school system for a brief stint after graduating college in 1977, returning to school for his BFA later that year.

WHO: Jeff Koons
WHAT: commodities trader, “Senior Representative of MoMA”

Soon after moving to New York in 1977, 21-year-old Jeff Koons took a job at the membership desk at the Museum of Modern Art. Before long, he was selling memberships so swiftly that boardmember Blanchette Rockefeller created a new title for him: Senior Representative of MoMA. Three years later, he began working as a commodities broker at Smith Barney. Once a master of the market, always a master of the market.

WHO: Julian Schnabel
WHAT: short-order cook

While studying at New York’s Whitney Independent Study Program in the 1970s, Schnabel worked as a short-order cook and dishwasher. Perhaps the experience in the kitchen helped inspire his famous broken plate paintings?

WHO: Glenn Ligon
WHAT: legal proofreader

The artist, best known for paintings and neons featuring repeated phrases pulled from literature and art history, always had an eye for words. After graduating with an art degree from Wesleyan University in 1982, Ligon worked as a proofreader for a law firm. The constant onslaught of text reportedly contributed to his decision to shift away from Abstract Expressionist-style painting and toward text-based work.

WHO: Shirin Neshat
WHAT: helped run Storefront for Art and Architecture

Upon arriving in New York from Iran — via Berkeley where she received a BA — Shirin Neshat spent a full decade working at Storefront for Art and Architecture. Though she did not make work during her Storefront time, the experience was influential to her artistic practice. In an interview with Bomb in 2000, Neshat said that Storefront was her “true education” and that the exposure there led her to “think about [her]self as an artist.”

WHO: Carrie Mae Weems
WHAT: union organizer

Carrie Mae Weems has explored issues of race, gender, politics, and identity in her widely revered black-and-white portraits of African-American life, but her interests in such subjects likely began when she worked as an organizer for a Marxist organization for nearly a decade, and began taking her first photos.

WHO: Matthew Barney
WHAT: J. Crew model

Though you can’t always tell from the supernatural costumes he sports in his epic “CREMASTER Cycle,” Bjork’s husband is — how do you say? — quite a looker. The summer before enrolling at Yale, Barney answered an ad for a modeling job that paid $250, which led him to get picked up by an agency, and helped him pay his way through college for the next five years. “When I was modeling, I found it interesting,” Barney told the New York Times in 1999, “that you could step outside yourself and let yourself be used as a coat hanger or puppet, especially in the performance sense: to let your body be a tool, to leave the body in the work and not really to occupy your body when you are performing.”

WHO: Olafur Eliasson
WHAT: model, breakdancer

As a teenager growing up in Copenhagen, Olafur Eliasson modeled for a Scandinavian youth magazine and studied breakdancing. The artist, who now specializes in large-scale, environmental-themed installations, had a knack for dance: He won Scandinavia’s breakdancing championship two years in a row. “In 1984, I was completely convinced it was art,” Eliasson told the magazine 032c of his cutting-edge moves. “Today, I doubt that.”

WHO: Cai Guo-Qiang
WHAT: kung fu actor

Before he began exploring the properties of gunpowder and staging his signature “explosion events” at museums around the world, Chinese artist Cai Guo-Qiang had roles in two kung fu movies: “The Spring and Fall of a Small Town,” and “Real Kung Fu of Shaolin.” Maybe it was all that martial arts training and synchronized sword-waving in his teens and twenties that gave him his dramatic flare.

WHO: Ai Weiwei
WHAT: semi-professional blackjack player

While studying at New York’s Parsons School in the 1980s, the artist spent most of his weekends in Atlantic City, where he cultivated a reputation as a formidable blackjack player. The impression he left on the Jersey gambling community lasting: During Ai’s 2011 detention by the Chinese government, the website blackjackchamp.com ran a story with the magnificent headline, “Arrested Chinese Blackjack Guru Ai WeiWei Also an Artist and Activist,” complete with testimony about his character from someone named “Snake Eyes.”

WHO: Maurizio Cattelan
WHAT: furniture designer

Maurizio Cattelan first began turning heads in the 1980s, but not for outrageous sculptures like his work depicting Pope John Paul II fallen and crushed by a meteor — those would come later. Rather, it was for his work as a furniture designer. And though his humorous and irreverent artworks would earn him a reputation as one of the art world’s most notorious and poetic pranksters, his latest collaboration with the DESTE Foundation — on a photography project inspired by Italian “Radical Design” furniture of 1968 — sees the artist returning to his roots.

WHO: Wade Guyton
WHAT: St. Mark’s Bookshop clerk, Dia:Chelsea guard

When the now-famous digital painter Guyton first got to New York in 1995, he applied to the Whitney’s Independent Study Program, but was turned down, so he took at job at the St. Mark’s Bookshop in the East Village, then started working as a security guard at the Dia Art Foundation in Chelsea. “I didn’t even know what Dia was when I moved to New York,” Guyton told Interview magazine last year. “I stood around all day guarding art… until the end, when I worked my way up to Dan Graham’s café on the roof.”

WHO: Cory Arcangel
WHAT: lacrosse goalie

In his teens, the future new media art posterboy earned a scholarship as a lacrosse goalie to Buffalo’s prestigious Nichols School, where he was the team’s star player. He eventually abandoned his lacrosse stick for a guitar, and upon graduating from his hometown prep school went on to study classical guitar at Oberlin — though he quickly switched majors to the technology of music.

WHO: Sterling Ruby
WHAT: construction worker, skateboarder

He may be known for in-your-face works like “The Masturbators” (2009), but Sterling Ruby is reported to have had a career in construction before attending art school. Less surprising perhaps is that Ruby was also a professional skateboarder and performed in a few punk bands recording tracks with legendary producer Steve Albini.

WHO: Hilary Harkness
WHAT: professional violinist

Harkness may be best known for her paintings of complex fantasy tableaux occupied solely by women, but she worked as a professional violinist in the Midwest before taking up the brush for a living. In fact, ahead of college, she studied under legendary violinist David Updegraff.

WHO: Banksy
WHAT: amateur soccer team goalie

The origins of the Banksy legend are located between the goal posts, where the Bristol-born street artist was goalkeeper for the Easton Cowboys soccer team, which he played for throughout the 1990s and into the early 2000s, when his true talents began to emerge. “He went on tour with us to Mexico in 2001 and painted a number of murals in the community,” former teammate Will Simpson told BBC News last year. “He did one tour and shortly after, he might have moved to London. We see him every so often when he comes back to Bristol…

To see a gallery of images related to our 30 art stars and the jobs they had before they were famous, click on the slideshow.

artstech: “David Thomas Smith’s Anthropocene series combines...

Fri, 12 Apr 2013 14:53:37 -0400

artstech:

“David Thomas Smith’s Anthropocene series combines Google Maps of human-influenced landscapes with the intricate designs of Persian rugs.”

via FastCo.Create

momatalks: The Big Air Package isChristo’s major first public...

Fri, 12 Apr 2013 14:52:26 -0400

http://www.designboom.com/art/christos-big-air-package-opens-in-germany/?utm_campaign=monthly&utm_medium=e-mail&utm_source=subscribers

momatalks:

The Big Air Package isChristo’s major first public work since the death of his partner Jeanne- Claude in 2009. The largest ever inflated envelope without a skeleton, the Big Air Package is on view at the Gasometer Oberhausen in Germany through December 30, 2013.

The artist typically works in monumental scale, using a site or specific building as a point of departure for a project installation. “In this case, a 90 meter-high inflatable envelope occupies 177,000 cubic meters which are contained within 20,350 square meters of semitransparent polyester fabric kept together with 4,500 meters of rope. The 5 ton form fills the interior of a former gas tank, amplifying the ethereal quality of the space with diffused light. Christo describes the experience as ‘virtually swimming in light’ as a result of the vast expanses of fabric.” (via Designboom)

Check out designboom’s post to learn more about this expansive installation and see more images.

dailyartspace: Untitled, 1989 by Cy Twombly Submitted by...

Fri, 12 Apr 2013 14:48:36 -0400

dailyartspace:

Untitled, 1989 by Cy Twombly

Submitted by special guest blogger Alie Cline of Cave to Canvas

free-parking: Urs Fischer

Fri, 12 Apr 2013 14:38:42 -0400

free-parking:

Urs Fischer

wnycradiolab: propaedeuticist: At NASA’s Drawing Board - J R...

Fri, 12 Apr 2013 14:36:14 -0400

wnycradiolab:

propaedeuticist:

At NASA’s Drawing Board - J R Eyerman

Best. Thing.

ancientart: Moray an unusual Incan archaeological site in...

Fri, 12 Apr 2013 14:35:11 -0400

ancientart:

Moray an unusual Incan archaeological site in Peru

Photos courtesy & taken by McKay Savage:

The gorgeous circular terraced bowl of Moray are thought to be an experimental agricultural nursery for the Incas, with different micro-climates allowing for different varieties of corn to be planted at deeper levels of the circular bowl. Others, both locals and foreign spiritually-minded, feel such a technical explanation fails to match the obvious effort, aesthetics and position the amazing circular site took.

Whether a testing ground or an energetic site or somewhere in the middle, the site has an undeniable beauty, power and mystical feeling, like an agricultural amphitheatre.

wblut: Cities Without Ground: A Hong Kong Guidebook by Adam...

Fri, 12 Apr 2013 14:32:03 -0400

wblut:

Cities Without Ground: A Hong Kong Guidebook by Adam Frampton, Jonathan D Solomon and Clara Wong.

Axonometric maps revealing Hong Kong’s multi-layered elevated walkways, ramps, elevators and infrastructure interchanges. Definitely enbiggen.

(read more on the guardian and randomwire)

via lessadjectivesmoreverbs, themeiv, archidose

likeafieldmouse: Hense - 700 Delaware (2012) - Mural on...

Fri, 12 Apr 2013 14:29:26 -0400

likeafieldmouse:

Hense - 700 Delaware (2012) - Mural on abandoned church

ryandonato: I Am A Man

Fri, 12 Apr 2013 14:22:32 -0400

ryandonato:

I Am A Man

momatalks: Can art be a form of research? Can research be a...

Fri, 12 Apr 2013 14:19:10 -0400

Attentional exercise led by D. Graham Burnett

Steven Rowell, 2012, research image from "Uncanny Sensing, Remote Valley"

Steven Rowell, 2013, trail camera video still from "Uncanny Sensing, Remote Valley"

This is what research looks like. Identifying life in soil for project ExcessNYC, February 2013. Photo: Brooke Singer

momatalks:

Can art be a form of research? Can research be a type of art?

By merging these two seemingly incongruous fields, the practice known as artistic research raises these key questions. However, while this approach is increasingly prevalent in contemporary art, its parameters are largely undefined. In contrast to forms of academic or scientific research—which encompass a clear thesis, a precise method for collecting data or supporting evidence, and detailed results—the pursuit of artistic research allows for open-ended aims and processes.

To open up a conversation on the creative potential of sustained investigation, MoMA Talks is holding an “Artistic Research Science Fair” on Thursday, April 18 from 12:30-2:00 p.m. This lunchtime program, hosted by historian and Cabinet magazine editor D. Graham Burnett, features four practicing research-artists—Sal Randolph, Steve Rowell, Brooke Singer, and Alexandra P. Spaudling. The artists will take on the challenge of sharing their own creative practices in the classic form of a science fair; each of them will set up a presentation board outlining their questions, methods, and findings. These boards will serve as a launching point not only to learn about the artists’ projects, but also to consider the potential incongruity between the artistic content and the uniform frameworks of traditional research practices.

Reserve your free ticket today and join us on April 18 to meet and interact with artists and explore the intersection of precise knowledge and infinite possibility! If you can’t attend the program in person, be sure to tune in to the live Tweeting on @MoMATalks.

likeafieldmouse: Fabienne Verdier

Thu, 04 Apr 2013 09:12:06 -0400

likeafieldmouse:

Fabienne Verdier

letsbuildahome-fr: Lygia Pape Gallery Architects: Rizoma...

Fri, 29 Mar 2013 10:49:37 -0400

letsbuildahome-fr:

Lygia Pape Gallery

Architects: Rizoma Arquitetura

Location/Year: Brumadinho, Minas Gerais, Brazil / 2010

Photograph: Clarissa Lanari

momatalks: Have you had a chance to check out Nick Cave’s new...

Fri, 29 Mar 2013 10:17:42 -0400

momatalks:

Have you had a chance to check out Nick Cave’s new Heard NY project at Grand Central?? Its a beautiful experience. A few of us on staff went today for the 11:00am performace and our lovely Susannah Brown captured this video of the piece. Performances are at 11am and 2pm through March 31 so make sure you get there!

Also as part of the project, Creative Time organized a fantastic page that captures tweets, FB, Vine, and Instagram posts from the public - just use hashtag #IHEARDNY and you can see your post here!

arpeggia: Josef Albers - Structural Constellation,...

Mon, 25 Mar 2013 16:28:22 -0400

Structural Constellation, Transformation of a Scheme, No. 12, 1950

Structural Constellation, Transformation of a Scheme, No. 23, 1951

arpeggia:

Josef Albers - Structural Constellation, Transformation of a Scheme, No. 12, 1950 (top); No. 23, 1951 (bottom)

likeafieldmouse: Chiharu Shiota - A Room of Memory (2009)

Sun, 24 Mar 2013 12:58:35 -0400

likeafieldmouse:

Chiharu Shiota - A Room of Memory (2009)

likeafieldmouse: Marina and Ulay 1. Rest Energy (1980) 2....

Sun, 24 Mar 2013 12:52:02 -0400

likeafieldmouse:

Marina and Ulay

1. Rest Energy (1980)

2. Relation in Space (1976)

3. Imponderabilia (1977)

4. Breathing In Breathing Out (1978)

5. Interruption in Space (1977)

6. Relation in Time (1977)

7. Aaa Aaa (1978)

letsbuildahome-fr: Big Air Package by Christo. The larget...

Wed, 20 Mar 2013 09:52:25 -0400

letsbuildahome-fr:

Big Air Package by Christo. The larget inflated envelope in history, and some are saying the largest indoor sculpture ever. (via farewell kingdom)